Justin Chatwin was recently interviewed again. During this interview new images were revealed from promo shots/behind the scenes from the film. Here’s the video interview.
And here are a few of the new images from Dragonball Evolution.
The more behind the scenes footage we see, the more we realize how much of the Goku vs. Piccolo fight was cut. What good could come out of cutting a fight in a DB film…
A new article from VFXWorld has given insight on how most of the special effects in Dragonball Evolution were done.
Asked what sequence pushed his team the most creatively, Raymond replies, “The Dragon Temple sequence was definitively a good challenge for us. We had to make the Temple very similar to the surrounding rock formation all the while creating a look that would make it seem as if it had been hidden underground for thousands of years. The high point was making it come out from the ground and the result is simply astonishing, thanks to our R&D team, which managed to develop tools to help us reproduce a very natural look and feel to the moving and falling rocks, dust and debris.
“We are also very pleased with the look our artists created for the different energy blasts,” he continues. “The main difficulty we had to overcome was to show how Goku didn’t have any control over this at the beginning, and then slowly make it into something that became more powerful, and under control. So while the Dragon Temple was a very big challenge for us, I think the subtlety and the evolution of Goku’s energy blasts, as well as the demonstration of Master Roshi’s power are both something Hybride can be very proud of. There is a very powerful scene where Master Roshi uses his full power to bring back a near to death Goku. So having started with something very weak and out of control and transforming it to point where we feel the energy created by Goku is fully under control is definitely something we are pleased to have achieved.”
Several new cast and crew interviews have hit the internet. The first (and longer) one comes from UGO Movie Blog.
Chow Yun-Fat
He fires two guns simultaneously better than any other actor living or deceased. He’s fought on paper-thin branches in the lush forests of QING China. He’s danced with Jodie Foster while commanding his own kingdom. And now international superstar Chow Yun-Fat takes on his what is perhaps his most diverse challenge yet; Master Roshi, mentor to Earth-saving hero Goku in the upcoming film version of the wildly successful Japanese mangas Dragonball.
Chow was not familiar with the Dragonball series until the role in the film was brought to his attention. At the time of the manga release, the actor says, “I was so busy doing all of John Woo’s movies, I didn’t see it when it first came out.” But a number of elements in the script appealed to him; the action, the humor, the mythology, but most of all, the relationship between Roshi and his student Goku (played by Justin Chatwin). Their dynamic was key to the actor in both his decision to take the role and how he played the part. “It’s not a traditional master and student relationship, it’s more like a friendship,” he says.
In the manga, Roshi’s character is portrayed as something of a dirty old man. But Chow explains how the character has been toned down, “The way it is now is very appropriate for my character.” He then expounds, “Master Roshi is a very funny guy with a sense of humor.” says Chow . “I never have played this kind of character and for me it’s very brand new; comedy, drama, action, all the CGI.” Having done comedy in his native Hong Kong films before, Western comedy is something the actor was quite new to. He found this to be the most challenging aspect of his role. Speaking of comedy, he says, “It’s very cultural. It’s not easy. (Writer/Director) James Wong gave me a lot of room to create Master Roshi,” he says. “All the time I’m over the top and he’s telling me, Mr. Chow, too much, too much.” Compared to his previous work, the actor explains, “Action is more physical, comedy is difficult for every actor, except Jim Carrey. I try and I hope that (people) like it.”
And while the actor is very used to squibs and heavy physical stunts, CGI is something he’s relatively new to. “I did some wire work in Crouching Tiger, Hidden Dragon, but not like in this movie. This movie is like forty to fifty percent CGI.” He describes the process of acting against a blue or green screen as quite demanding, or more specifically, like “Acting to the air.”
Chow also cites the opportunity for diversity that Dragonball affords him. He mentions the limited amount of roles Hollywood typically affords Asian actors. Usually, he says he’ll be a “Gangster, a waiter, a drug dealer. This is a great opportunity to let an audience see the other side of Chow Yun-Fat. They can see the guy in Crouching Tiger, Hidden Dragon, or maybe they see the King of Siam. I want more different directions for my characters.” And his ideal role? “A character who doesn’t speak a word.” Then he adds with a laugh, “I wouldn’t need a dialogue coach at all.”
James Marsters
“I’d been a fan for five years and had seen ninety-eight percent of the Dragonball episodes before I got the role,” says James Marsters who plays Big Bad Piccolo, archnemesis of Goku in Twentieth Century Fox’s upcoming live action adaptation of the immensely popular Japanses manga. Then he adds, “I’ve got a son who will kill me if I get this wrong.”
Marsters, best known for his infamous role as Spike, the seductively nefarious vampire in Buffy the Vampire Slayer is in full makeup (a four hour ordeal) waiting for a climactic battle scene to be lit on the set of the film in Durango, Mexico. “When I first got cast, I thought that I was not right for Piccolo,” Marsters continues. “I have to give it to (screenwriter/director) Jim Wong, I understand why he cast me now, now I feel like there’s not another human being who can do the role.”
Marsters doesn’t consider his character to be a villain in the traditional sense. “Piccolo was working with the Mystics. He did one thing the Mystics didn’t agree with, and instead of talking about it, they threw him in jail. And it was not a nice a jail, it was like where no molecule in your body moves for two thousand years. I don’t think Piccolo’s evil, he’s just really mad.” The actor expounds by comparing this aspect of the film to literary classics. “In Shakespeare, there really are no villains or heroes, there would just be people behaving in a villainous manner or a heroic manner; it depends on what chapter of their life that you happened to climb in on. And I think Dragonball has the same kind of universe where people start really evil and get redeemed in a fairly realistic way. I think that takes it away from white hats and black hats stapled on characters.”
Marsters also took on the role for personal reasons. When speaking of both the film and the manga, Marsters comments, “I’m a fan because it helped me raise my son to understand his aggression and his anger is not a bad thing. It’s a dragon you have to ride. You can’t kill your own dragon, but at the same time, you can’t let your dragon run you out of control. Dragonball helps to teach young boys that being a real man is being a goofy man sometimes. Being a kind man, being a gentle man. And that has nothing to do with being weak. That is a good role model and it’s helped me explain to my son how to be a man.”
Knowing what magnitude Piccolo holds in the story, Marsters has put his own unique stamp on the role. “I really wanted the character to be hungry, old, decrepit and ugly. And for that to work for me, I had to look in the mirror and think myself ugly and decrepit. I wanted a makeup that my girlfriend would not want to kiss.” Then he pauses and comments, “Which I got, and which is really frustrating.”
Writer and Director James Wong
Taking a break from the genre he’s most known for (see Final Destinations 1 and 3 and the X-Files for more on this), writer/director James Wong turns his talents to adapting Akira Toriyama’s hugely popular manga Dragonball to the big screen in a tentpole film larger in scope than anything the filmmaker has undertaken before.
Wong was not all that familiar with the series before he began work on the movie. “Except through my kids, who were watching Dragonball Z, I didn’t really know too much about it. When I heard about it, I thought ‘wow,’ I don’t know what to do with this thing, it’s so crazy.” But that was enough to spark his interest. “I looked at the mangas and it gave me a whole different perspective of what this movie could be. So I read the books and I was totally enthralled by them. They’re really charming and fun.”
Wong found himself dealing with the challenge of staying faithful to his source material and adapting the work so it can be enjoyed by all audiences, not just diehard fans of the original. “There’s eighteen books, so there’s an incredible amount of story that can be put into one movie.” He explains further, “I also wanted to age up Goku, because in the mangas he’s only about twelve years old and it’s not until the end that he becomes a teenager. So we wanted to start him on his eighteenth birthday, and that changes a lot. But I think the most important thing in the movie is to capture the tone and the fun that Dragonball is. It was a matter of trying to figure out the journey for Goku, how he comes to realize who he is.”
Adapting a work of such fantastical depths was another pressing aspect of putting the film together. “We obviously had to take out parts that we could do. The mangas are so fantastic, there are so many different places you can go.” The filmmaker’s goal is to take Goku from relatability into this otherworldly universe. Wong explains, “As he goes on his adventure, things that he visits and environments that he’s in become much more fantastic. We wanted to bring in people who don’t know Dragonball into the world and hopefully (that) allows them to go out, look back at the Manga and get caught up in it the same way like I did.”
Another aspect of the picture Wong is looking to make an impression with are the fight sequences. He says, “One of the things Fox asked was, ‘how is this gonna look different and feel from other martial arts movies that we’ve seen?’” From this question, the filmmakers responded with two different approaches. The first involved the use of state-of-the-art high-tech tiny cameras—so small they can actually be fitted directly onto an actor. Wong explains, “Our visual effects supervisor suggested you can have actually a “fist-cam.” To which he demonstrates by indicating an area on his arm he’d mount the camera and then throwing a slow-motion punch. The other approach involved shutter speed. Wong says, “(Director of photography) Robert McLachlan showed me this thing on YouTube where a scientist poked a hole in a balloon shot at a thousand frames per second. And when the pin hit the balloon, the balloon broke apart immediately, but the water retained the shape (of the balloon), and then it started cascading down. We thought that was a really interesting look, and we thought how can we employ this technology, this camera within our fight sequences. We built some moments around this incredible device.”
Ultimately, Wong speaks of his greatest hope in making Dragonball, the live action film. “If we can get this movie to get people excited and have them read mangas, that would be the greatest thing, to introduce this world of Dragonball to the public and if they get into it, they’ll really get into the whole saga. So I think this is a really special project and I’m really excited to be doing it.”
Producer & Costume Designer
Bringing a manga/video game/animated series to life is no small feat. In order to successfully adapt the sights, tone and feel of the work, every department has to think way outside the box of what they’re normally accustomed to. Writer/Director James Wong’s Dragonballscreenplay, based on Akira Toriyama’s massively successful series, creates a larger-than-life universe where an ordinary kid becomes a master warrior who defends the Earth from unspeakable aliens, proved to be a chief qualifier of this rule.
While the film is packed with stunts and gizmos of all shapes and sizes (weapons and gadgets range from a Humvee/tank built from spare parts to a small capsule that mutates into a motorcycle), Dragonball will also be a very visual effects-heavy film. Producer Tim Van Rellim claims the movie will present, “A realistic future, you don’t know where you are, or what time period you’re in,” and to achieve this, somewhere close to eight hundred visual effects will be employed to bring the world to life.
But the aesthetic look of the film is only one aspect of the production. Costume designer Mayes Rubeo was told to study Akira Kurosawa’s Seven Samurai in order to capture the wardrobe style the filmmakers are going for. In paying homage to Dragonball creator Toriyama, Rubeo explains, “We tried to make the costumes as close to a Japanese gee as we could.” She then continues by saying that while tradition was important, her department is also aware of the movie’s audience. Alas, the costume department tried to modernize their costumes to a degree. The result is a hybrid of Old East meets New West.
Costumes were tailored specifically to characters. Rubeo says, “Piccolo (the movie’s predominant antagonist) was the most important guy in terms of power, so we wanted to give him a rich fabric, and elegant look, but also keep the interesting elements from the anime.” Conversely, Master Roshi, who serves as hero Goku’s teacher and mentor, is always seen sporting a Hawaiian shirt. “He’s sort of like the Big Lebowski of them all,” Rubeo explains, “with an interesting philosophy.”
Propmaster Colin Thurston also found his team creating devices and gadgets not of this Earth. With a dragonball locator, which is a palm-sized tracking device, Thurston was able to save the visual effects department a great deal of time and money. “We’ve actually got a live action working object, which everyone is gonna think is really good but is really just light through a piece with computer graphics (drawn) on it,” he says with a smile. The movie’s guns, of which there are a wide variety of types and calibers, were a long time in discussion before they were constructed. “We had conversations about whether we were gonna adapt real guns to make them work, but you can never come up with a really good design that you don’t have to have the basis of a real gun on it,” says Thurston. “So we went completely independently.”
Originally set to be released in August of 2008, Dragonball has been pushed to April 2009. The producers seem relieved by this, as now they’ll have more time to render the movie’s effects to the level they were initially designed at. A strong credo around the set is that the film is not just aimed at manga fans. The filmmakers are looking to bring in a much wider audience, appealing to everyone between the ages of eight and thirty.
And here’s a new interview with James Marsters. This actually came from the magazine, Death Ray.
DR: So what liberties have you taken with Lord Piccolo?
JM: In the cartoon, Lord Piccolo is this old, wizened man. He looks like he is 95 years old and he’s green. He looks like a wart. He’s got so many wrinkles and he walks with a stick. He’s this crone figure in a big hood. But Piccolo is younger than that in our film, he’s more powerful than that, but he’s still old and in some ways decrepit. His transformation is something we’re going to save until later.
DR: Spike, Braniac, Captain John an now Lord Piccolo – you have a reputation for playing sympathetic monsters . . .
JM: I cut my teeth in regional theatre, which means we did a lot of Shakespeare because you didn’t have to pay any rights. And I’m very happy that I sis. IN Shakespeare there are not good and band guys. There are just people who are in conflict or who are making mistakes. That is reflected very much in Dragonball and Dragon Ball Z.
DR: What about Piccolo? You could have chosen to play him as irredeemably evil . .
JM: I don’t think he is evil at all! He has a very good reason for being angry. He was a victim of this binding spell. He was in a place where he couldn’t breathe, his molecules couldn’t move and a though would take a thousand years to come to the outside of his consciousness . . . simply for being in disagreement with the mystics., They rob him of his youth. When he finally bursts out of prison, he’s an old man and he’s mad! And so he has to find the dragonballs.
DR You’ve been filming in Mexico, but there is, of course, a Japanese influence everywhere. What kind of world is this?
JM: It’s just like the cartoon. It’s in the near future. It’s a multi national world where ethnicity is not really addressed. IN the cartoon they had a dog as president of the world! It’s the weirdest thing. So we’ve cast it from all over the world without an eye towards ethnicity.
Super Hero Flix and Sci Fi Wire posted two articles about their set visit for Dragonball Evolution. They are pretty long so I have taken a brief couple paragraphs from each article.
“What we saw on the Mexico set of Dragonball Evolution”
In the scene, Goku and Master Roshi (Chow Yun-Fat) are squaring off against Lord Piccolo: Marsters unrecognizably covered neck to toe in black armor and wearing full-head makeup that turns him into a greenish pointy-eared alien.
“It’s a four-hour makeup job,” Marsters, encased in layers of prosthetics, says between takes, sitting in a chair to keep cool so that he doesn’t sweat the makeup right off.
The set is lit: amber spots, smoke, bits of flame in the background. Master Roshi is on the ground, Goku on all fours. Piccolo strides up to them to finish them off. But Goko rises to punch Piccolo in the face. Piccolo parries the blow. Cut!
Part of the challenge has been to adapt and translate for an American audience a 20-year-old franchise that comprises by one count a manga series, three anime series, 17 animated feature films, a card game, several electronic games and a series of collectible action figures.
“I looked at all the mangas, the Dragon Ball 18 books that they provided me,” writer/director Wong says during a break in filming. He adds: “I didn’t really know too much about it, and Dragon Ball Z [a later animated series] is so different than Dragon Ball that, you know, when I heard about it, I thought, ‘Wow, I don’t know … what to do with this thing.’ Because it’s so crazy, with all the aliens and stuff like that. So I looked at the mangas, and it gave me a whole different perspective on what this movie can be.”
“We battle the cast of Dragonball Evolution in Durango, Mexico!”
Dragon Ball is especially important to the fans. They are the ones that will be most interested in seeing this property achieve glory on the big screen. Wong, of course, took that into consideration when crafting the look of the film, “There is an incredible amount of story that can’t be put into just one movie. The biggest change we had to make was with Goku. We wanted to age-up the character. In the mangas, he is twelve and fourteen. It’s not until the end that he becomes a teenager. We wanted to start with him on his eighteenth birthday. That changes a lot of things. The most important thing to capture in the movie is the tone. Its important to capture the fun that Dragonball offers. We had to take out the parts we couldn’t do. The mangas are just so fantastic. There are so many places we could go. We had to figure out this journey for Goku. How he comes to realize his destiny.”
More than anything, it was important for Wong to take a realistic approach to this world and its iconic characters. He had to ease the more fantastical elements in with great finesse, “In the manga, you are thrust into this magical world that is overrun with pterodactyls and dinosaurs, and a bunch of other crazy things. Those are in the book right from the get-go. Our approach was to make that world more relatable to those audience members who aren’t familiar with Dragon Ball. We slowly turned it into a more fantastical type of world as the story progresses. As Goku goes on his adventure, the things that he visits, and the creatures that he runs into become much more bizarre and crazy. My hope is that people will want to go back and check out the comics after seeing the movie. Then they will be even more excited about it. Hopefully, they will get caught up in it like I did with the mangas.”
Wong proved to be a very busy man on set, as he was bounced from one location to the next. While setting up the fight sequence in the Temple with Emmy and Joon, he was also hustling to set up shots inside a giant foam volcano. There, Justin Chatwin’s Goku and James Marsters’ Lord Piccolo would be throwing down in one of the greatest climactic battles ever put to screen. We started to follow Wong out to the volcano when he got sidetracked by a second unit team filming Chow Yun-Fat in the back of an Airstream trailer against a green screen. As the trailer was jostled by a couple of off-screen prop-masters, a giant fan blew Chow’s hair back. He was wearing Roshi’s signature Hawaiian shirt, and a pervert’s grin. Wong’s eyes lit up. He liked what he was seeing, “You guys are going to like this scene. He’s taking a joy ride. I think you will also like the fighting in this movie. One of the things Fox asked before we started shooting was, “What is this going to look like? Why is it so special? How are you going to make Dragonball different in feel from the other martial arts movies we have seen?” I started thinking about that a lot. Two different approaches came to me. We wanted to make these fight sequences really different. So we chose the Iconic camera, which is really tiny. You can hook them onto an actor. You can have a fist-cam. You can follow their punches. We also liked the idea of a super-slow motion camera. We thought that would bring an interesting look. We thought, ‘How can we employ new technology into the film to make it look unique and special?’ One of the first things we did was think about Goku. We wanted to show some of the magic moments that the Phantom camera can capture. So that’s how we decided to do the fighting scenes. After you read the mangas, you can’t help but want to make something special out of them. This is a really exciting project, and I am excited to be doing it.”
A video showing Brian Tyler conducting the “Dragonball Evolution” theme song for the film has been leaked. Samples from other songs are also available at Colesseum.
A video has leaked from todays (and third) Dragonball Evolution press conference. This time it was held in Bangkok, Thailand. View it below! (Note that video is only a summary of the conference, so we will post more feeds if available soon)
And here’s a greeting message from Justin Chatwin and Emmy Rossum telling you to check out Dragonball Evolution!
I will update this entry if any additional news/updates concerning this latest press conference surfaces.
The cast and director atteneded another press conference in Korea. after a 20 minute screening of scenes from the movie the cast/crew continued to answer questions concerning the film. Here are a few reports from The Associated Press and Korea Times.
SEOUL, South Korea (AP) — “Dragonball” fans can expect an older, fiercer version of hero Goku in the Hollywood adaptation of the famed Japanese cartoon series about two magic-wielding rivals who compete for seven orange spheres that will grant the holder a perfect wish.
The filmmakers behind “Dragonball Evolution” added 10 years to its hero to give the movie a grittier look, actor James Marsters said at a press conference Wednesday.
In the comic book series, “Goku is 7 years old and fighting midgets all the time,” said Marsters, who plays Goku’s rival, Lord Piccolo. “We muscled it up.”
Justin Chatwin, the 26-year-old Canadian actor who plays the teenage Goku in the movie, said the cast learned several different martial arts styles for the movie. He initially was worried about taking the role because of his slender physique.
“I was looking in the mirror, going like, ‘I’m a beanpole, how can I pull off this role?’” said Chatwin, best known for playing Tom Cruise’s son Robbie in “War of the Worlds” and a teenager stuck in limbo after an attack in David Goyer’s “The Invisible.”
But while Goku was given a more adult interpretation, director James Wong said he toned down another key character — Roshi, a flirtatious, Hawaii-shirt wearing martial arts master — to appeal to a broader audience.
Roshi, played by veteran Hong Kong actor Chow Yun-fat, is “a little tamer than he is in the manga,” Wong said.
Wong said condensing the dozens of “Dragonball” manga books that have already been published was a tough task.
“All that we hoped to do was to preserve the essence of Dragonball — the fun, the thrills the adventure,” he said.
“Dragonball Evolution” will be released in Asia in March and in the U.S. on April 8.
The new Stephen Chow production brings the story of a teenaged Goku (Justin Chatwin) who, upon the dying wishes of his adoptive grandfather (Randall Duk Kim), seeks out the great masters Roshi (Chow Yun-fat) and Bulma (Emmy Rossum). With his friends Yamcha (Joon Park) and Chi Chi (Jamie Chung), he must gather all seven magical orbs or Dragon Balls before the evil Lord Piccolo (James Marsters) uses them to conquer the world.
Extensive clips of the movie were revealed exclusively for the Korean press. “I also love the comic books, but the manga is very (long). There’s no way to put all that in the movie,” said director James Wong (“Final Destination”). “The goal also is to be able to introduce `Dragonball’ not only to fans but those who don’t know it,” he said, adding that he wanted to craft a story that is relatable to a young audience. “Hopefully we’ll have a chance to tell the rest of it in subsequent movies.” The creation of sequels will depend on the success of the upcoming film, he said.
Chatwin (“Invisible”), who had been a fan of the TV cartoon, said he was both excited and fearful of interpreting such an iconic character. He had to undergo intense martial arts training ― “vomiting because they pushed us so hard.” “But it’s a super fun movie and I’m absolutely honored,” he said.
Chow, the hero of Hong Kong noir films, plays a rather comical role in the movie. Dressed in all black instead of his character’s Hawaiian shirt, he jokingly said his wife ― who is also his manager and mentor ― “forced” him to take the role because she needed “money to buy a very famous bag.” He threw the crowded pressroom into more bouts of laughter with humorous Korean phrases. Chow was last here 15 years ago for shooting an action movie. He said he was surprised with the modernization, “but kimchi is still the same” as it is with the passionate people.
Park said it was a great honor to work with Chow in his second Hollywood movie after “Speed Racer.” “Mr. Chow is such a huge star but on the set he is so humble and professional, and gave me a lot of guidance,” he said. About working in the United States, the former G.O.D. rapper said he felt proud to see that the Korean film industry is as sophisticated as Hollywood.
A group of young women waited outside the venue, screaming each time Park spoke. Chung, an up and coming Korean American actress (“Chuck and Larry”) said she was surprised to witness Park’s popularity when his fans greeted him at the airport Monday. “He’s my `oppa’ (big brother); he took care of me,” she said about working with Park. “I’m so proud to be here,” she said.
Screen beauty Rossum, who recently shot an advertisement here, said she was happy to return. “Everyone here has a good sense of humor and I can see why everyone likes `Dragon Ball.”’ Looking striking in a red dress, she said she tried to bring Bulma to life as a “feisty, determined, intelligent, and yes, hopefully a little sexy, woman.”
Marsters pointed out that the movie is based on “Dragon Ball” rather than “Dragon Ball Z” and that his character Lord Piccolo is a powerful, muscular villain rather than a decrepit old man. Another difference, he said, is that the film does not feature Lord Piccolo’s superpower ability of dismembering himself.
The recent Dragonball Evolution press conference was recorded and leaked online. It is about 15 minutes long and features : Justin Chatwin, James Wong, Jamie Chung, Chow Yun Fat, Emmy Rossum and Joon Park. Enjoy!
Also, the official promotional trailer for the Dragonball Evolution PSP game is now online!
Nuffnang is also giving away prizes and the chance to see a screening of Dragonball Evolution! Here are the details.
As many have already been anticipating the release of Dragonball Evolution, Nuffnang is proud to bring you the Premiere Screening of Dragonball Evolution courtesy of Twentieth Century Fox Malaysia!
4 steps to secure a pair of invites to the Premiere Screening of Dragonball Evolution
1. Take a picture of yourself or a friend in a Kame Hame Ha pose like the picture below. You are free to edit the image if you wish to.
2. Write a blog post in your blog with the title ‘I’m Going Kame Hame Ha with Dragonball Evolution’ with the picture taken in step 1 displayed.
3. Copy and paste the following codes at the end of your entry..
..which will show this image linking to this post.
4. Send in an email to dragonball@nuffnang.com with your full name and the permalink of your blog post.
Prizes and Premiums!
We’re giving away limited edition premiums and prizes from the movie such as a Dragonballs, watches, duffle bags, 3D postcards and many more to creative bloggers coming up with The Most Impressive Kame Hame Ha, The Funniest Kame Hame Ha & The Most Natural Kame Hame Ha. In addition, the first 50 bloggers who write in will also receive a Dragonball Evolution poster!
As we only have 200 tickets to give out, priority will be given to blog posts which are creative and those who sent in first. Hurry, and start blogging now!
Also available at this site are some official wallpapers/screen savers, including a new poster.
According to Thailand site Kratookfilm.com, several actors/crew from Dragonball Evolution will be appearing at a Thailand Dragonball film press conference on February 20th. Here is the exact list of actors that will appear at the conference.
- James Wong (Director)
- Justin Chatwin (Goku)
- Emmy Rossum (Bulma)
- Joon Park (Yamcha)
- Chow Yun Fat (Master Roshi)
- James Marsters (Piccolo)
- Jamie Chung (Chi Chi)
And just a reminder to everyone…James Marsters is currently at the “Your Funny Valentine” event. We will keep you posted if any news/interviews are leaked.
As the original creator, I had a feeling of “Huh?” upon seeing the screenplay and the character designs, but the director, all the actors, the staff, and the rest are nothing but “ultra” high-caliber people. Maybe the right way for me and all the fans to appreciate it is as a New Dragon Ball of a different dimension. Perhaps, this might become a great masterpiece of power! Hey, I look forward to it!!
There you have it, Akira Toriyama is looking forward to the film.
Scoringsessions.com has provided pictures of Brian Tyler composing the music for Dragonball Evolution. Here’s an excerpt from the site and a few of the images. Click here to view all 31 pictures.
Just before the holidays, composer Brian Tyler was at 20th Century Fox to record his score for the anticipated live-action adaptation, Dragonball Evolution, directed by James Wong and produced by Stephen Chow. The film stars Justin Chatwin, Joon Park, Jamie Chung, Emmy Rossum and Chow Yun-Fat.
With Tyler himself conducting an 82-piece ensemble of the Hollywood Studio Symphony at the Newman Scoring Stage, the music to the film is appropriately percussive and big, taking full advantage of the large size of the orchestra. Melodic and even a big “Goldsmithian”, the score was orchestrated by Robert Elhai, Brad Warnaar, Dana Niu and Pakk Hui – all of whom were on hand to assist with any on-stage tweaks and adjustments.
In the booth, scoring mixer Bobby Fernandez expertly combined the orchestra with the pre-records that Tyler created (including many instruments that he performed himself). Music editor Joe Lisanti and score preparation supervisor Gary Krause were there, as well as director James Wong to give feedback to Tyler.
A few of the actors visited the scoring session including Joon Park and Jamie Chung.
Dbthemovie got the chance to speak with Ariel Velasco Shaw (Dragonball Evolution visual effects superviser). He answers some pretty good questions involving the character’s ki blast/energy attacks.
DBthemovie: Were you (or the team) familiar with Dragonball before this film? Ariel Velasco Shaw: Yeah, I have a 12 year old son, Milo who is a huge fan. I have always loved the series as well. It’s funny how excited the Visual Effects Houses were to get on the movie. They would do these Ki Energy tests where the CG artists would throw the Ki and then put in their incarnation of the effect.
Q: In the anime, everything seems to be bright and vibrant with fluffy cloud-filled skies. I noticed that, in the trailer, the scene with Gohan training Goku is very similar. Does that [scene] represent the overall look of the movie? A: What I love about the look of the film is that it arcs from a terrestrial (earthly every day look, albeit, bright and hopeful) to something that is foreboding and other worldly. We went through a look development process (Look Dev) where we had our VFX houses develop the arc.
Q: Some fans were confused that the “Kame Hame Ha” [in the trailer] was executed with one hand. Was this the actual “Kame Hame Ha” or just a “Ki” blast put in the trailer to not spoil it? A: The one handed ki blast was just a shadow crane strike. Goku has a limited arsenal of energy blasts that culminates in a Kame Hame Ha. Roshi’s arsenal is more powerful than Goku’s, and Piccolo has many types of energy blasts that culminates in a Spirit Bomb. I gotta say, the energy fights are pretty cool.
Q: Do any of the characters have auras in the film? A: Yes.
Q: If Dragonball: Evolution does well, are you up for working on a sequel? A: This was a great project to be a part of. The cast and the crew were fantastic. The Fox VFX department is second to none on helping the process along. Of course I’ll come back and join the party.
He fires two guns simultaneously better than any other actor living or deceased. He’s fought on paper-thin branches in the lush forests of QING China. He’s danced with Jodie Foster while commanding his own kingdom. And now international superstar Chow Yun-Fat takes on his what is perhaps his most diverse challenge yet; Master Roshi, mentor to Earth-saving hero Goku in the upcoming film version of the wildly successful Japanese mangas Dragonball.
“I’d been a fan for five years and had seen ninety-eight percent of the Dragonball episodes before I got the role,” says James Marsters who plays Big Bad Piccolo, archnemesis of Goku in Twentieth Century Fox’s upcoming live action adaptation of the immensely popular Japanses manga. Then he adds, “I’ve got a son who will kill me if I get this wrong.”
Taking a break from the genre he’s most known for (see Final Destinations 1 and 3 and the X-Files for more on this), writer/director James Wong turns his talents to adapting Akira Toriyama’s hugely popular manga Dragonball to the big screen in a tentpole film larger in scope than anything the filmmaker has undertaken before.
Bringing a manga/video game/animated series to life is no small feat. In order to successfully adapt the sights, tone and feel of the work, every department has to think way outside the box of what they’re normally accustomed to. Writer/Director James Wong’s Dragonballscreenplay, based on Akira Toriyama’s massively successful series, creates a larger-than-life universe where an ordinary kid becomes a master warrior who defends the Earth from unspeakable aliens, proved to be a chief qualifier of this rule.
